VII. Black, tight-fitting silk dress
â đžđđđđđ đŹđđđđđđđ â
When I returned to my room, the new dresses were already hanging neatly in my closet. One in particular stood outâa black, form-fitting silk dress that molds to every curve of my body as if it were made specifically for me. And it probably was, knowing Cesare. Everything he does is calculated, precise, and carefully thought out. Sometimes, it feels like nothing is outside his control.
Still, the strap looks too thin to support the weight of the neckline.
I canât help the way my lips twist.
Why does he criticize my clothes if he plans to show me off in something worse?
I turn lightly, pull my hair forward, and examine the back, now properly covered. My shoulder blades press against the fabric, hiding the absence of Romanoâs tattoo.
Suddenly, knocks at the door make me pause, take a deep breath, and practice my usual stoic expression in the mirrorâthe one that looks neither too bored nor too attentiveâbefore walking to the door.
Iâm expecting one of the Onoratos to be waiting for me, as always.
But to my surprise, itâs Matteo outside, leaning against the doorframe with his arms crossed. I couldnât tell because thereâs no trace of his overpowering cologne, just the faint scent of soap. And yet, itâs a scent that triggers more memories than I care to admit.
Heâs not wearing his usual shirts with unbuttoned collars tonight, only a finally loose, oversized black T-shirt. But what really makes my stomach flip is the way his hair is slightly tousled and damp from the recent shower.
That makes him look younger. Vulnerable. Human.
Matteoâs eyes scan me from head to toe, lingering longer at the neckline before lifting to meet mine. âThis is the dress Cesare sent you?â
âYou got something to say about my clothes, too?â I shoot back, stepping away from the door. But he doesnât let me get farâhis hand shoots out and grabs my wrist with unsettling ease.
Matteo yanks me toward him with a rough pull, slamming my body into his, and I have to grit my teeth hard to hold back any sound. But the feel of his solid, unyielding frame pressed against mine, the hard planes of his abdomen against my back⊠it shouldnât make my pulse race like this, but it does. And I hate it.
His muscular arm wraps around my waist, pulling me even closer, pressing me flush against him so I can feel how our bodies dangerously fit together in ways they shouldnât.
âWhat the fuck was that earlier?â he growls, with his breath hot against my ear.
I try to step forward, but he follows, making sure not even an inch separates us.
âYouâre not leaving this room until you explain what the hell that was, Marina, so youâd better start talking. Wouldnât want to keep Sotto Capo waiting, would you? Heâs got a bad temper and a short fuse.â
âShouldnât you be asking him?â I force my voice to stay steady. âIt was his idea, not mine.â
âAnd Iâm trying to figure out why, Marina.â Matteoâs hand grips my waist tighter, hips thrusting forward, making it clear that if there was any doubt that I could turn him on, itâs gone now. âWhy the fuck would Cesare come up with that idea?â
âLike I said, ask himââ
Matteo spins me suddenly, his fingers digging into my sides almost painfully. He doesnât bother to control his strength or pretend to be gentle, as his free hand grabs my jaw from underneath, with fingertips pressing into my cheeks.
âDid you say something to him?â he grunts between clenched teeth.
My eyes narrow, but I donât flinch.
âAre you seriously asking me that?â I snap back, just as harshly. âTo Cesareâof all people?â
Matteoâs eyes also narrow. He examines me as if every twitch in my face is a lie, every flicker of emotion is bait.
As if Iâm the dangerous one here.
âI donât know, Marina. You tell me.â He tightens his grip just enough to make my lips pout slightly, which catches his gaze for a moment. Then heâs back to my eyes, his own blazing with intensity. âDid you?â
âNo.â I raise my eyebrows. âI didnât say a single word.â
âThen why would he tell you to do that?â
âI donât know,â I shoot back, impatient. âMaybe because Iâm really good at getting under your skin?â
He yanks my face closer, merging our breaths until it becomes uncomfortable. I hold my breath, trying not to breathe in his clean scent or the air our lungs are clearly sharing right now.
And of course, Matteo notices. The way his breathing hitches tells me heâs thinking the same thing. Probably just as disgusted by the thought as I amâŠ
âYouâd better keep that mouth shut, or I swear, Gattina, it wonât be Enzo Bianchi who kills you.â Despite the threat, Matteo loosens his grip on my face, but he doesnât step back.
âIâm not going to die.â
âOh, you will. That stubborn tongue and that defiance are going to be the death of you.â
He pulls his hand back slowly, letting it linger a moment longer than needed, fingers twitching before curling into a fist and dropping to his side.
Then, quieter, less angry, more resigned, he finally asks, âWhy couldnât you just keep quiet and go along with it?â
I part my lips to say something, but before any words come outâ
âSignorina Marina, Iâve come to escort you on Sotto Capoâs ordersâŠâ the Onoratoâs voice finally cuts in, faltering as he registers the scene: Matteoâs grip, the too-close posture, the heat still crackling between us.
Matteo glances over his shoulder and gives a cold look that immediately causes the man to bow his head in a mix of respect and fear. Still, the man does not move. He doesnât dare interrupt the demon⊠but he also cannot disobey a direct order from the Sotto Capo.
Finally, Demon exhales slowly and heavily, taking an extra moment before releasing me completely. He wipes his face with his now-free hand and steps back two long strides, finally giving me room to breathe again.
âThis isnât over, Marina. We will finish this conversation later. Before you leave. Do you understand?â he warns, eyes piercing into me one last time before storming out of the room, brushing past the Onorato with barely contained fury.
The way the man shrinks beneath Matteoâs glare sparks a flicker of sympathy in me, but it fades just as fast. I have more than enough of my own problems to handle.
I take a deep breath, smoothing my dress and my hair, even though everything is still perfectly in place, feeling the manâs eyes on meâcautious, but not lingering. Almost like heâs afraid of seeming inappropriate.
âSignorina Marina,â he begins carefully, âbefore I escort you to the Sotto Capoâs quarters⊠he left very clear instructions.â
âInstructions?â I raise an eyebrow, feeling both curious and uneasy. Why does everything have to be so complicated with Cesare?
âPrecisely.â The man nods, slipping his hand into the inner pocket of his suit. I step closer, with the kind of caution you only learn growing up in the underworld, my eyes glued to his hand, watching every move like a hawk.
And when he pulls out a gun, my entire body goes cold. I freeze instantly, heart skipping a beat at the small revolver that looks almost like a toy in his large, clumsy hand.
I wait, but he doesnât shoot. Instead, he holds it gentlyâlike it might break. Itâs not pointed at me either, which makes me relax slightly, but my eyes stay wide, on high alert.
He switches the gun to his other hand and digs into another pocket, pulling out a long, silver vintage-style flask and offering both items to me. I hesitate for a moment before my fingers close around the cold metal of the flask and the lightweight revolver.
The Onorato reaches into the side pocket of his pants now, and pulls out something else: a decorated dagger, sheathed in silver and ornately carved. He doesnât offer it for me to take. Perhaps because itâs larger than the other two items, but it doesnât matter⊠after all, its presence feels just as heavy in my hands as if Iâd taken it.
âWhat does this mean?â I ask, locking eyes with himâeyes that look just as uncertain as mine. âWhy are you giving me this?â
âSotto Capo Cesare ordered you to choose one of the items, Signorina,â the man says, his voice tightening my chest. âAnd to try using it before the night ends.â
